As the curtains fall on the 2025 Oscar ceremony, our eyes turn towards upcoming Emmy awards. The TV series, The White Lotus and Severance, can be termed as the Anora and The Brutalist of television, respectively. The concluding Oscar season demands reflection, given the roller-coaster ride it offered, from an initially uncertain competition, a perturbing controversy that made waves, to a startling upset in a major category towards the end.
A lesson learned hard, personified through Emilia Pérez, is that some mistakes should not be repeated. The inability to foresee the victories of Flow and No Other Land teaches us the significance of not undermining the influence of international voters in shaping triumphant narratives.
A crucial takeaway for the immediate Emmys is to acknowledge the power of an impactful acceptance speech at the Golden Globe Awards. The benefits of such speeches were evident in the successful campaigns of Demi Moore and Fernanda Torres, which served as invaluable promotion.
Furthermore, it is vital to discern between controversies with potential to transform the course of the race, and those which bear little consequence beyond brewing temporary chatter.
Despite the unexpected setback involving Emilia Pérez, the Oscar’s final chapter unfolded largely as speculated in September. Anora emerged victorious, as anticipated. With the Emmy season knocking at our doors, we are led to ponder the general landscape.
Is it fair to assume equivalency between the Emmy’s TV domain and the cinematic terrains of Oscars six months ago in terms of their uncertain outcomes? A glance at the comedy category suggests an impending sense of predictability, with Hacks, The Bear, Abbott Elementary, and Only Murders in the Building leading the pack.
In contrast, the drama category appears to embody the Oscar’s unpredictability. With just Slow Horses from the eight nominees for Best Drama Series last year still in the running, the category finds itself wide open for speculation.
A wave of returning TV series following extended hiatuses further adds to the uncertainty. The rankings of these comeback series are yet to be deciphered.
Queries abound. Does Severance still maintain its intellect and charm? Will The Last of Us successfully leverage its ongoing momentum? Is The White Lotus succumbing to an off year? Do contenders like Squid Game and The Handmaid’s Tale still hold potential? Is The Pitt the dark horse of the season, ready to seize the spotlight?
As we teeter on the edge of the Emmy season, there is more speculation than certainty. Each speculated turn and twist contributes to the award season’s enigma, creating an engaging narrative beyond the stage.
Drawing parallels with the recent Oscar season’s journey could serve as a guiding light to predict the Emmy’s unfolding saga. While some patterns might echo the past, each award season brings its unique flavor and unpredictable turns.
The ebbing Oscars bear lessons to be heeded and speculations to be outlined for the Emmys. The significance of rousing acceptance speeches, the mighty international vote bank, and the impact of controversies are not to be overlooked.
The comedy sector seems to be walking on a pre-traced path with a familiar pattern of winners. On the contrary, the drama domain is open to a world of possibilities and is as fickle as the Oscar race itself.
Multiple series are making return debuts, which further clouds predictions. The shifting dynamics of these returning shows alongside new contenders set up an intriguing Emmy roster.
The thrill of award seasons lies in the unknown, in the potential of temporal debates becoming game changers and returning shows clashing with fresh faces. As we transition from Oscars to Emmys, we are left with questions outnumbering answers making the journey more compelling.